Rule 40 in the United States: new opportunities for sponsors but with strings attached
The recent revisions to Rule 40 by the International Olympic Committee (IOC) and accompanying guidance provided by various National Olympic Committees provide Olympic participants with the ability to increase marketing exposure – and offer their personal sponsors the opportunity to align themselves with the participants during the Olympic Games in a manner previously unavailable to them. But alongside this increased marketing ability, which the U.S. Olympic and Paralympic Committee (USOPC) describes as an “evolution of athlete marketing in the Olympic and Paralympic space,” new restrictions have been placed on the Olympic participant and, more significantly, their personal sponsors.
The relaxation of Rule 40 and its subsequent interpretation by the USOPC certainly benefits participating athletes and their sponsors, but places certain restrictions on these sponsoring brands that arguably create potential liability for the brands that has not been seen before.
Accordingly, this article examines:
- The historical view and application of Rule 40;
- The recent guidance issued by the USOPC; and
- The permission system that is now in place in the United States and the requirement that personal sponsors agree to a “Personal Sponsor Commitment.”
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- Tags: Competition | Intellectual Property | International Olympic Committee (IOC) | Olympic Charter | Olympic Games | Olympics | Regulatory | Rule 40 | Sponsorship | The U_S_ Olympic and Paralympic Committee (USOPC) | Tokyo 2020
- Navigating Olympic advertising: Rule 40 – a global perspective
- Are the British Olympic Association’s new Rule 40 Guidelines still too restrictive?
- How competition law is shaping Olympic sponsorship: Part 1 – the origins and evolution of Rule 40
About the Author
Partner, Frankfurt Kurnit Klein & Selz
Christopher Chase, a founder of the firm’s Sports Industry Group, is an intellectual property and transactional attorney for the marketing and entertainment industries, with a specific focus on the sports and event sectors.
Chris routinely counsels major sports leagues, teams, and governing bodies on intellectual property, branded entertainment, and promotional matters; advises both sponsors and properties on the structure and negotiation of sponsorship and endorsement arrangements; counsels agency clients that activate sponsors’ marketing campaigns (including for major events such as the Super Bowl, World Cup, and the Olympics); advises major sports apparel, footwear and fitness companies on marketing campaigns and intellectual property matters; and advises high profile athletes on their on-field and off the field activities, including endorsements, appearances, film and TV production, trademark development, brand protection, and transfer agreements within Major League Soccer.
Chris also has a strong knowledge of Major League Soccer and National Women’s Soccer League rules and regulations and has assisted with player transfers, sponsorships, endorsements, and investment and ownership advice.
A frequent speaker and prolific writer, Chris has been a go-to source on several sports industry topics for a number of significant media platforms, including Sports Business Journal, the Associated Press, USA Today, Washington Post, New York Times, Chicago Tribune, L.A Times, and Fox Business.
Within the broader advertising and entertainment industries, Chris counsels entities and individuals in the advertising and entertainment industries on all aspects of their businesses, including rights clearance (such as copyright, trademark, and rights of publicity), regulatory matters, and risk assessment. He structures and negotiates creative services agreements, commercial production agreements, brand and celebrity licensing agreements, sponsorship and event promotion agreements, celebrity talent and on-camera agreements, content distribution agreements, media agreements, and content releases and licenses. He also counsels clients regarding potential and actual litigations arising out of commercials, print advertisements, sweepstakes, contests, and other promotions, magazines, films, television productions, and websites. Further, he has vast experience addressing music issues, including structuring and negotiating master use and sync licenses for commercials, video games, television productions, and films, music distribution agreements, artist/band services, appearance, and promotion agreements, and concert sponsorships.
Chris began his career as a litigator at Clifford Chance Rogers + Wells.