The challenges of digitally placed advertising: Ofcom’s decisions on ‘undue prominence’ from the Singapore Grand Prix
Published 11 October 2018 By: Alex Kelham
The Singapore Grand Prix is a highlight of the F1 circuit. The night race attracts fans from around the world and looks spectacular on TV. The bright lights and razzmatazz are generally seen as a huge attraction to sponsors and broadcasters. However, Ofcom (the British regulator of TV broadcasting in the UK) felt Formula One Management (FOM) had gone too far1 with its commercial creativity in its coverage of the 2016 race.
FOM's live feed (which is adopted by official broadcasters around the world) was embellished with a Rolex countdown 'watch' which was digitally superimposed2 into the arc of the observation wheel which towers over the Marina Bay circuit. The Rolex countdown watch appeared in the footage for around 17 seconds, as the broadcast counted down to qualifying.
The relevant legislative background
The Communications Act 2003 (as amended), implements the Audiovisual Media Services Directive, 2010/13/EU. Under this, Ofcom is responsible for drawing up, and ensuring compliance by UK broadcasters with, the provisions of the Ofcom Broadcasting Code. The Code covers a range of matters covering, broadcast standards, fairness and commercial references in programmes. It is the latter that is relevant here.
Section 9 of the Code sets out rules principally designed to maintain editorial independence, ensure there is a distinction between advertising and editorial content, and to protect against surreptitious advertising. Rule 9.4 prevents the promotion of products, services and trade marks in programmes (subject to certain exemptions) and Rules 9.6 to 9.11 set out rules relating to product placement. Rule 9.5 is particularly relevant to this case. It states:
“No undue prominence may be given in programming to a product, service or trade mark. Undue prominence may result from:
the presence of, or reference to, a product, service or trade mark in programming where there is no editorial justification; or
the manner in which a product, service or trade mark appears or is referred to in programming.”
Ofcom investigates breaches of the Code and publishes its findings. If there are deliberate, serious, repeated or reckless breaches of the Code, it is able to impose statutory sanctions, including directions not to repeat a programme or imposing a fine on the broadcaster. Ultimately Ofcom is able to revoke or suspend a broadcast licence.
The Rolex countdown watch in FOM’s feed was so blatantly an unduly prominent commercial reference that the UK broadcasters (Sky and Channel 4) both accepted that this was the case. Even before Ofcom complained Sky and Channel 4 had apparently asked FOM not to insert similar digital advertising during its feed in the future.
That the Rolex countdown watch was found to be unduly prominent is the simple aspect of Ofcom's rulings against Sky and Channel 4. However, slightly confusingly, although the two Ofcom rulings related to exactly the same footage of the Rolex countdown watch superimposed into the observation wheel, Ofcom accepted the matter with Sky was "resolved", whereas it determined that Channel 4 was in breach of the Ofcom Code (albeit they appear to have escaped with no more than the warning of an adverse finding)3. The reason for the difference seems to come down to the fact Sky's broadcast was live; they were contractually obliged to broadcast FOM's feed without alteration; and they had taken immediate steps to ask FOM not to do this sort of thing again. Channel 4 on the other hand was broadcasting the feed on a slightly delayed basis and had the opportunity to edit out the relevant footage.
What can we learn from these decisions?
The Ofcom decisions make for interesting reading for sports marketeers. Sports broadcast is a complex landscape, and broadcast regulation is very nuanced and struggling to keep up with technological developments. However there are a few key points to be noted and conclusions to be drawn from the rulings:
Ofcom reiterated the generally understood position that small logo credits of timing partners next to the timing data they generate are editorially justifiable. This would appear to apply to other relevant information too (for example a tyre supplier’s logo next to data indicating whether soft/medium/hard/wet tyres are being deployed may also be justified);
Where an Ofcom (UK) regulated broadcaster has the opportunity to edit coverage to avoid unduly prominent references, they should do so;
If the sports property which is selling sponsorship is also the producer/host broadcaster (as might be the case, for example, for a football club filming and broadcasting a friendly or academy match live on their Club TV channel) any logos or advertising which are inserted digitally, if not editorially justified, will be considered product placement and therefore subject to the relevant rules and restrictions set out in Rules 9.6 to 9.11 of the Ofcom Code;
If the broadcaster is not producing the coverage but plays a role in facilitating the digitally inserted branding or advertising, it will not be able to pass blame to the sports property which has requested or required this (and is receiving payment from the advertiser/sponsor) if it puts the broadcaster in breach of the Code. It is unclear what this means for the implementation of digital replacement advertising - host broadcasters need to facilitate this insertion, but arguably the digital replacement of physical advertising boards (for example with more relevant local advertisements) should be treated differently to digital placement, as by definition the digitally replaced adverts are no more prominent that the advertising boards that appear in the unaltered feed;
UK broadcasters need to ensure that the sports properties they are buying TV rights from (wherever in the world) ensure the live coverage will comply with the Ofcom Code and be proactive in ensuring that this is the case.
These cases also make clear that Ofcom is monitoring sports broadcasts to check they comply with the rules on commercial references, and while they took a relatively light touch approach in these cases, if the product in question was gambling or alcohol rather than a watch, a more critical stance may well have been taken.
So in short, lawyers doing sports broadcast and sponsorship deals need to get to grips with the technological developments which will enable more and more digitally placed advertising, and generally keep a watch on this complicated regulatory space.
This work was written for and first published on LawInSport.com (unless otherwise stated) and the copyright is owned by LawInSport Ltd. Permission is granted to make digital or hard copies of this work (or part, or abstracts, of it) for personal use provided copies are not made or distributed for profit or commercial advantage, and provided that all copies bear this notice and full citation on the first page (which should include the URL, company name (LawInSport), article title, author name, date of the publication and date of use) of any copies made. Copyright for components of this work owned by parties other than LawInSport must be honoured.
- Tags: Audiovisual Media Services Directive | Broadcasting | Communication Act 2003 | European Union | Formula One | Motor Sports | Ofcom | Ofcom Broadcasting Code | Singapore | Sponsorhip | United Kingdom (UK)
- Virtual reality in sports – privacy risks and revenue opportunities for players
- Sports media rights in 2018 – consumption trends and the growing influence of OTT digital players
- Key points for athletes to consider before signing a sponsorship agreement
- The lifecycle of an international athlete: Part 10 – Negotiating sponsorship & endorsements deals